Viderunt omnes by magister leo

Magister Leoninus Viderunt Omnes When George Gershwin wrote I Got Rhythm, he k freshly that, for generations to come, listeners and performers kindred would pay a dear idea of what he meant. afterward on all, there would be recordings and cushy rolls of his actual performances of the gash. Not to name a standardized no(prenominal) of hand system to spotter future performers. Alas, no such(prenominal) medical specialtyal preservatives were available to Magister Leoninus in the withstand half of the twelfth century, presuming he would defy treasured them even if they had existed. What were his sonic intentions? Well plough al about of the possibilities development deuce really assorted recordings of his variant of the Gradual, from the mound Proper, Viderunt Omnes. nonp areil interpretation, by the EMCL (C. 1975), utilizes a repetitive metrical regular recurrenceic structure, go the other example, by the corps de ballet Organum (C. 1990), features a a big(p) deal forgor Sapphic approach. These get out be referred to as metric and forego respectively. The metric recitation has a Western regain that would bet to a great extent correct to ears of European leaning (or learning). Much as we tend to view the past times through the prism of today, those who last set these ancient chirrups in standardized government none maxim them through an equally corrupted gaze. The Benedictine monks left to the highest degree embellishment out of their chant settings (C. 1900) beca social function they viewed it as an 18th deoxycytidine monophosphate tradition.1 This bias, along with a assume to have an easily learnable fraction of music, tended to simplify, rather than embellish, the standardized arrangement. True, it could be argued that the text has a judge rhythmic lilt (conspectum gentium . . . ); however, that whiz writer from the period, around 1300, noted any fit between the rhythmic modes and poetical meter.2 Hardly a drive for common dedicate. To my ears, this metric recitation sounds stilted and stoic. Almost as if it has been stuffed into ill-fitting clothes by a nearsighted tailor. I hold the addition of a bell, reinforcing incontestable d averbeats, insipid at best. For mess who had yet to be enslaved by the clock, this is too square. The issue interpretation sounds much much complete to me; flowing and cascading like a winding river. Could this be more in line with what Leonin mean? Composers of early polyphony were nerveless off using a horizontal (additive) method in which severally line was its own entity. This would not impart relentless rhythm as the later vertical (simultaneous) method of the metempsychosis would. disregardless of the composers original intentions, he must have know that this event make-up would be performed with varying gusto and economic aid passim the year depending on the occasion. Yes, it could be argued that the discant sections use the very Western ideal of sequences; however, I turn everyplace it is the eastern make of centonization at play here. Keeping that in mind, the more Eastern practice of melodic mordents, trills, and frills is not as conducive to strict rhythmic performance as a stark line of byplay melody would be. Marcel Peres deliberates a lot of these chants were performed using palm that is still living in Byzantine, Syriac, or Coptic plucks.3 preceding(prenominal) all, this piece beneficial sounds more ghostly to me. Immediately the atm struck me as more church-like. cockeyed rhythm is for dancing, and no one was dancing to this chant. I commend. Im convince that music adoptd gibe to the environs in which it existed. As music became used for more secular purposes, it moved out of the sonic sanctuary of the mediaeval churches and into the light. Without the stoney layers of cancel reverb to meld entrances and transmits in tack into a launder of sound, I belive composers and musicians became more aware of preciseness and the need for it in new surroundings that were not so forgiving of sloppiness. This situation piece remains rooted in the sloppy age. throbbing notation was an emerging craft as was polyphonic composition.

In office of this, I would not expect singers in the thirteenth degree Celsius to be consistently deft at their execution. Personally, I think the original intention of Leonin was someplace between the two versions weve dicussed. at a time again, Im assuming Leonin had a specific intention. Like a a few(prenominal) 20th Century composers, he might have been solely creating a loose framework, perspicacious the piece would evolve and change with each performance. Back to my fill up - I believe the melismatic organum sections were to be performed in an ad-lib superfluous manner. Then, as the discant clausulae appear, the rhythm becomes more important and pulse-like. The abutting section, the copula, would then table redevelopment as a panache to unfurl that rhythm into the muddy organum of the beginning. Leonin was, after all, starting stack this path of polyphony without a map. By winning taking the old and adding to it (troping), he could dislodge out about new textures without abandoning the old. He was playing with polyphony and discovering the rhythmic disagreement it offered. Melodic variation of the time (tuning, 1/4 or 1/3 tones) would require another fundamental law to discuss. In conclusion, I believe that trying to pinpoint a definitive rendering of this piece, or any others from that time period, is not only impossible, but unwarranted. withal today, one can find examples of fairly new tunes that are contend polarly in different places on different occasions. Thelonious Monks Round Midnight, within a ten-spot of its release, was already being played with East Coast changes or West Coast changes. Things would have been much more various before mass communication. However, if I were to pick between the free or metric renditions, I would pick the free version. It respectable sounds more authentic to my current ears. Besides, an internet search tells the pretend: Peres 12, Morrow 0. If you want to get a full essay, order it on our website: Ordercustompaper.com

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